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Issues : Inaccuracies in GE
b. 115-116
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composition: Op. 21, Concerto in F minor, Mvt I
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Division of the slur at the bar line is a typical arbitrary decision of GE (→FE→EE), in this case justified by the not entirely clear notation of A at the transition between the pages. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A |
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b. 115-116
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composition: Op. 21, Concerto in F minor, Mvt I
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The slurs in the L.H. (including the tie) are written in these bars either inaccurately or erroneously in the majority of the sources. The variants related to the sustention or repetition of e category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions , FE revisions |
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b. 116-117
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composition: Op. 21, Concerto in F minor, Mvt I
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Division of the slur at the bar line is a typical arbitrary decision of GE1 (→FE→EE). Moreover, a staccato dot was overlooked in bar 117, which completely distorted the image of phrasing in this fragment. In GE2 the slur was led to the quaver in bar 117, in accordance with A. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 119-120
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composition: Op. 21, Concerto in F minor, Mvt I
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Out of the two curved lines written in A, the tie of e category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 123
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composition: Op. 21, Concerto in F minor, Mvt I
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Starting a slur from the beginning of a bar is a characteristic inaccuracy of GE1 (→FE→EE), corrected in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |