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b. 266
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composition: Op. 21, Concerto in F minor, Mvt I
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The cautionary flat before d category imprint: Editorial revisions |
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b. 267
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composition: Op. 21, Concerto in F minor, Mvt I
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The change of category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 267
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composition: Op. 21, Concerto in F minor, Mvt I
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A later beginning of the slur in GE1 (→FE→EE) is a typical inaccuracy of the engraver of GE1. The repetition of this inauthentic slur in the L.H. proves that the addition was performed during a revision. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 268
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composition: Op. 21, Concerto in F minor, Mvt I
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The traces of division of the slur can be seen also in Morch, in the quintet parts. Perhaps it made the reviser of GE2 introduce a similar change. Slurs over rests are nothing unusual in Chopin's works – cf. e.g. the Mazurka in G minor, Op. 24 No. 1, bars 3, 7 and analog. The addition of slurs for the L.H. in the editions is most probably a revision of GE1 – see bar 267. category imprint: Differences between sources issues: GE revisions |
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b. 268-269
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composition: Op. 21, Concerto in F minor, Mvt I
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When interpreted literally, the slur of A ends still in bar 268. According to us, the notation, however, does not exclude an intention of leading it to the last note of the phrase in the next bar. We suggest this interpretation, compliant with the phrase's structure, in the main text. Doubled slurs in the L.H. in the editions – see the note to bar 267. category imprint: Differences between sources issues: EE revisions , Inaccurate slurs in A , GE revisions |
1 was added by us.
in 
is a quite common mistake, also in combination with 
