Issues : Errors in GE
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b. 149-150
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composition: Op. 21, Concerto in F minor, Mvt I
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Four little slurs written in A from the grace notes to the opposite notes of the octaves emphasise the expressive character of the octave mini-motifs. The detail was fully reproduced only in GE2 – in the previous editions the majority of the little slurs was overlooked (in EE all of them). category imprint: Differences between sources issues: Errors in EE , Errors in GE , GE revisions |
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b. 151-153
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composition: Op. 21, Concerto in F minor, Mvt I
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The long accents at the beginning of the semiquaver passages in bars 151 and 153, overlooked in GE1 (→FE→EE), were restored in GE2 as short accents. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 155
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composition: Op. 21, Concerto in F minor, Mvt I
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The category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 156-158
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text, we give the slurs in the L.H. in bars 156 and 158 after A. The half-bar slurs of GE1 (spanning 4 and 3 quavers) are a characteristic arbitrary decision of this edition. In the proofreading of FE (→EE), Chopin combined the slurs within the bars, leaving – as probably less striking – an inaccurately marked starting point of the slurs. GE2 corrected the starting point after A, but not the divisions. category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE |
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b. 156-160
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing staccato dots next to the bass notes in bars 156 and 158-160 are certainly an oversight of the engraver of GE1 (→FE→EE) – the signs in A are very small and sometimes put quite far from the notes. GE2 added dots only in bars 156 and 159. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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