Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt I
In A there is only an ending of the slur in bar 213 (on a new page). Similarly as in bars 205-207, we assume that it demonstrates that the composer's intention was to embrace with a slur the preceding phrase or motif, which in this case comes down to emphasising the unexpected e
-f bass' step.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Inaccurate slurs in A
notation: Slurs
