FE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 199-200

g1 tied in A

g1 repeated in GE (→FE)

g1 repeated in EE

Two curved lines visible in A – the tie of gand the phrase mark in bar 200 – were reproduced in GE (→FEEE) as one phrase mark, running from the 2nd minim in bar 199. The reason for the misunderstanding of the notation of A was most probably the Chopin manner of writing ties: in this case the engraver probably considered the tie to be combining the eminim in bar 199 with the gcrotchet in bar 200. In GE (→FE) the second minim in the R.H. in bar 199 was divided into two voices – a c1-e1 third and b1. This arbitrary change probably stemmed from the inaccurate notation of A too (quite frequent in the case of Chopin) – both top notes of this chord are written without stems.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Errors in GE

notation: Rhythm

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