Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt I
The 
sign, unless it is a result of a misunderstanding, could have been added by Chopin in the proofreading of GE1. One could see here either a suggestion of a slightly changed dynamic concept, where the climax of the crescendo would fall already in the middle of this bar, or an ad hoc attempt to replace the overlooked dashes marking the range of the crescendo. Taking into account the above doubts, in the main text we preserve the notation of A without this sign – see the previous note.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Authentic corrections of GE
notation: Articulation, Accents, Hairpins
