Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt I
Before the last pair of octaves in the L.H. there are no flats in A, as a result of which they should be read as A-a. Chopin's oversight, corrected already in GE1 (→FE→EE, →GE2), is proved by the flats in the parts of all instruments performing the bass line visible in Morch.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Omissions to cancel alteration, GE revisions, Errors of A
notation: Pitch
