EE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 5-6

R.H. dot in bar 5 in A

No marks in GE1 (→FEEE)

Dots in both hands in GE2

R.H. dots suggested by the editors

The distinct staccato mark at the beginning of bar 5 in A, and the identical context of motives in the 2nd halves of bars 4-5 allow us to regard the lack of a similar mark in bar 6 as an inaccuracy. Omission of the mark in bar 5 in GE1 (→FEEE) is certainly a result of distraction of the engraver. GE2 corrected the mistake adding a corresponding mark in bar 6. It also supplemented the L.H. part with dots, presumably because of the R.H. part being transferred to the upper staff (in the original layout the marks over the R.H. pertain to the L.H. as well).

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in GE, GE revisions

notation: Articulation, Accents, Hairpins

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