Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 127

15 notes in A

14 notes in GE (→FEEE)

It is unclear whether the version of the editions, with the run comprising only 14 notes, without e2, should be regarded as an engraver's mistake or Chopin's correction. Unnatural spacing of notes in GE1 could point to a deletion of a note, however there are no visible traces of changes in print like tiny remnants of the original text. We thus adopt into the main text the undoubtedly Chopinesque version of A. Cf. similar problem in the 2nd movement of the Concerto, bar 80.

In all editions except GE2, this 14-notes long group is marked with a 15, left over from the A version.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in GE, Errors in GE, GE revisions, Authentic corrections of GE

notation: Pitch

Go to the music

.