Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt I
In A (→GE1→FE→EE1→EE2) there is neither a 
returning a
2 in bar 107 nor a cautionary before e3 in bar 108. In GE2 only the first was added and in EE3 – only the second.
In analogous bars 105-106, Chopin wrote in A both signs, which suggests that at the time of writing a repeating phrase, the composer's concentration broke (cf. bar 107). It increases the likelihood of oversights of ties at the end of bar 108.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Omissions to cancel alteration, GE revisions, Cautionary accidentals, Errors of A, Errors repeated in GE, Errors repeated in FE, Errors repeated in EE
notation: Pitch
