Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 21, Concerto in F minor, Mvt I
When interpreted literally, the slurs of A in the ending of bars 106 and 108 do not reach the quavers at the beginning of bars 107 and 109. Both the shape of the signs and the logic of the musical course make it to be an inaccuracy of notation. This is how it was interpreted in GE (→FE→EE), although in the case of bars 106-107 it was most probably a fortunate coincidence – see the previous note.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
issues: Inaccuracies in GE, Inaccurate slurs in A
notation: Slurs
