Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt I
In A, there are visible traces of erasures before the grace note, yet it is difficult to say what was being removed. It could have been a different grace note, e1 or g1 (or even two grace notes). However, the very action of performing corrections in this place increases the chances that the grace note changed in GE1 is authentic, since it offers certainty that Chopin would consider different versions of this detail. Corrections were also performed slightly further, before the e1 demisemiquaver and over the stave, where a performance marking was removed.
Compare the passage in the sources »
category imprint: Corrections & alterations
issues: Corrections in A, Chopin's hesitations
notation: Ornaments
