Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt I
In the main text we give the pedalling of A as the only authentic. In spite of minor inaccuracies, bars 151-154 include detailed and consistent indications in A – the moment of pedal release is slightly different in each of four situations within two-bar phrases. The subtlety was partially lost in the editions, whereas the differences between them most probably stem from attempts (generally feeble) to order the notation made by engravers or revisers.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Inaccuracies in GE, EE inaccuracies
notation: Pedalling
