Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt I
The staccato dot on the 1st quaver in the bar is undoubtedly a mistake of the engraver of GE1 (→FE→EE, →GE2) who probably considered its absence to be Chopin's oversight (similarly in the next bar). In A, Chopin marked the portato articulation (dots under the slur) in both bars only from the 2nd note, after the mordent.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Errors in GE
notation: Articulation, Accents, Hairpins
