Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 21, Concerto in F minor, Mvt I
The engraver of GE1 may have considered the extensions of the 2nd and 4th quavers to be a mistake – cf. bar 125. However, this kind of notation, more or less precisely marking the so-called harmonic legato – holding elements of chords with fingers – would often be used by Chopin, e.g. in bars 130 and 278. In analogous bar 275, the notation of the editions is also inaccurate.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Errors in GE, GE revisions
notation: Rhythm
