mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt I

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Page: 
Source: 
p. 9, b. 193-214
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 197

c & c1 in the sources

c & c1 suggested by the editors

The oversight of the sharps is supported by a close analogy of bars 193-200 to bars 65-72 and no resolution of possible c and c1 to B and b in bar 198. Generally, the recapitulation of the second theme (bars 169-208) reveals features proving its less careful notation by Chopin – see the note to bars 185-188.

Compare the passage in the sources»

category imprint: Interpretations within context; Editorial revisions

issues:

notation: Pitch

Missing markers on sources: FESch, FED, FES
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