Page: 
Source: 
p. 8, b. 161-192
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Corrections & alterations
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 189-192

Pedalling in GC & GE2

No markings in FE (→EE1)

Pedalling in GE1

Pedalling in EE2

Our alternative suggestion

In the main text we give the pedalling added by Chopin in GC and repeated more or less accurately in GE and EE2. As the added pedalling differs from the indications in the analogous fragment of the exposition (bars 61-64), which may have resulted from haste at the time of writing it, we suggest a pedalling based on the indications of the exposition as an alternative.

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category imprint: Differences between sources; Corrections & alterations

issues: EE revisions, Errors in GE, Authentic corrections in GC

notation: Pedalling

Missing markers on sources: FESch, FED, FES