mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt I

Text Compare Notes Sources Description
Page: 
Source: 
p. 8, b. 161-192
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
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Pedalling
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Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Important
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  b. 165

FE (→EE) has a cautionary  before g2 in the 5th crotchet of the bar. It is hard to state how the difference between GC and FE occurred – the copyist might have simply overlooked this sign or realised that it is superfluous. Moreover, one cannot exclude an addition made to [A] after GC had already been prepared or a mistake of the engraver of FE. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Cautionary accidentals

notation: Pitch

Missing markers on sources: FESch, FED, FES
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