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p. 7, b. 141-160
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
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FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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FE - French edition
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FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
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  b. 156

At the beginning of the 2nd half of the bar before the bottom note of the second, GC and FE1 (→FE2) have one  before each of the notes instead of . This easy to detect mistake – none of these flats is necessary at this pitch, whereas a1 appears in the part of the L.H. – was corrected in GE, by adding another  before the bottom note. The correct notation is included in FE3 (→FE4) and EE, which in both cases could have been a result of Chopin's intervention.
A double flat before the top note of the penultimate chord was added only in GE and EE2.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: EE revisions, Errors in FE, Accidentals in different octaves, GE revisions, Authentic corrections of FE, Errors of GC, Authentic corrections of EE

notation: Pitch

Missing markers on sources: FESch, FED, FES