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p. 4, b. 73-92
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
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GC - Gutmann's Copy
FE - French edition
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FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
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GE2 - Corrected reprint of GE
EE - English edition
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  b. 78

Minim b1 in FE1

Minim c2 in GC (→GE)

Crotchet a1-c2 in FE2 (→EE1,FE3FE4)

Minim a1-c2 in EE2

Among the four versions of the middle notes of the chord at the beginning of the 2nd half of the bar present in the sources, the first (FE1) is certainly erroneous, whereas the last (EE2) – arbitrary. In turn, the remaining two are undoubtedly authentic and – according to us – equal. The a1-ccrotchet is probably earlier, it was probably in [A] and this is on this basis that is was introduced to FE2 instead of the erroneous bminim. The original third was initially also in GC, where, however, Chopin changed it to a cminim. Hence, we adopt the latter to the main text.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions, Errors in FE, FE revisions, Authentic corrections in GC

notation: Pitch

Missing markers on sources: FESch, FED, FES