Page: 
Source: 
p. 3, b. 49-72
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 60

a1 in GC (→GE)

g1 in FE (→EE)

The version of FE (→EE) is probably erroneous – cf. analogous bar 188 as well as a slightly extended variant of this motif in bars 64 and 192. The absence of a correction in this place is, however, puzzling – Chopin did not pay attention to this note both in the detailed proofreading of FE2 (twice – as the base text to EE and FE3) and in the proofreading of FE4, as well as in the pupil's copies.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in FE

notation: Pitch

Missing markers on sources: FESch, FED, FES