Page: 
Source: 
p. 9, b. 193-214
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
FE1 - First French edition
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 207

No accidental in the sources (g1)

g1 specified by the editors

g1 as our alternative suggestion

The version written in the sources, in which the absence of cancellation of the  lowering g1 to g1 imposes to interpret the melodic sound in the last chord as a g1, must be considered to be potentially intended by Chopin. However, a possible oversight of a  is highly likely, as this kind of oversights belongs to the most common inaccuracies of Chopin's notation, whereas a diminished four-note chord – to his favourite chords.

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category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Omissions to cancel alteration, Errors of A

notation: Pitch

Missing markers on sources: FESch, FED, FES