Page: 
Source: 
p. 1, b. 1-24
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
FE4 - Fourth impression of FE
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 23

No accidental in GC (→GE), FE1 (→FE2) & EE

 raising d2 to d2 in FE3 (→FE4)

The natural raising d2 to d2, added – most probably by Chopin – in the proofreading of FE3 (→FE4) is most likely a correction of a mistake and not a new version of this detail. The bottom notes of the dyads (and in the chords also the middle ones), unless they are an octave doubling of the top voice, always belong to the components of a current chord in the entire section comprising bars 17-36.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in FE, Errors in EE, Errors in GE, Authentic corrections of FE, Errors of GC

notation: Pitch

Missing markers on sources: FESch, FED, FES