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Issues : Omission of current key accidentals
b. 22
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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GC and FE1 (→FE2→FE3) do not include naturals before the octave on the 4th quaver of the bar. The flats before g category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , FE revisions , Last key signature sign , Errors of GC |
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b. 90
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The notation of accidentals is inaccurate in the majority of the sources, which, however, does not cause any difficulties in the interpretation of the text. In the 2nd half of the bar, GC and FE have only one sign: a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Cautionary accidentals , Omission of current key accidentals , Inaccuracies in GC |
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b. 107
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The sharp raising f to f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in GC |
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b. 115
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Similarly as in bar 107, in GC, FE1 (→FE2→FE3,EE1) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in GC |
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b. 124
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the 2nd half of the bar GC and FE lack in accidentals in the part of the R.H. The inaccuracy of Chopin's notation was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Omission of current key accidentals , Errors of GC |