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Issues : Accidentals in different octaves
b. 107
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The sharp raising f to f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in GC |
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b. 115
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Similarly as in bar 107, in GC, FE1 (→FE2→FE3,EE1) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in GC |
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b. 128
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The version with e3 present in FE1 (→FE2→EE1) (in both FE without the necessary category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Accidentals in different octaves , Inaccuracies in FE , Terzverschreibung error , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Inaccuracies in GC , Annotations in FESch |
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b. 128
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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GC and FE do not include naturals before the top notes of the last two octaves in the R.H. Chopin's patent inaccuracy was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals |
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b. 129
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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GC has no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in GC |