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Issues : Authentic corrections of FE
b. 155
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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g category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Inaccurate note pitch in A , Authentic corrections of FE , Authentic corrections in GC |
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b. 156
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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At the beginning of the 2nd half of the bar before the bottom note of the second, GC and FE1 (→FE2) have one category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Authentic corrections of FE , Errors of GC , Authentic corrections of EE |
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b. 168
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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It is hard to state whether the category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 185-188
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The slurring of particular sources seems to convey Chopin's idea only approximately. In the main text, we suggest an interpretation of the slurs of GC based on the slurs written in a more precise manner in analogous bars 57-60. See also bar 189. category imprint: Differences between sources issues: Errors in FE , GE revisions , Authentic corrections of FE , Inaccuracies in GC , Authentic corrections of EE |
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b. 185
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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FE1 (→FE2) features an E category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE , Authentic corrections of EE |