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Verbal indications

b. 162-163

composition: Op. 35, Sonata in B♭ minor, Mvt I

Mark at the beginning of b. 163 in GC & GE2

No mark in GE1

Mark at the end of b. 162 in FE (→EE)

..

It is difficult to say which of the sources based directly on [A]FE and GC – reproduced Chopin's notation more accurately. Therefore, we give the version of the principal source, i.e. FE (→EE) – see Rules of creation of the main text. The missing mark in GE1 must be an oversight of the engraver.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 193-200

composition: Op. 35, Sonata in B♭ minor, Mvt I

cresc. - - - in GC & GE2

cresc. without dashes in FE (→EE) & GE1

..

The dashes marking the range of crescendo were overlooked in GE1, yet added in GE2. In FE (→EE) the signs were probably also overlooked.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 203

composition: Op. 35, Sonata in B♭ minor, Mvt I

in GC (→GE) & EE2

No indication in FE (→EE1)

..

Chopin added the stretto indication in GC (→GE). It was repeated also in EE2.

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions , Authentic corrections in GC

b. 213

composition: Op. 35, Sonata in B♭ minor, Mvt I

No marking in GC (→GE) & FE1 (→FE2EE1)

in FE3 (→FE4) & EE2

..

Chopin added the  indication in the proofreading of FE3 (→FE2). It was repeated also in EE2.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 217-218

composition: Op. 35, Sonata in B♭ minor, Mvt I

in GC (→GE)

No indication in FE (→EE)

..

The absence of cresc. in FE (→EE) is most probably a result of the engraver's inaccuracy.

category imprint: Differences between sources

issues: Errors in FE