Issues : Authentic corrections of FE
b. 39
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the main text we give the version of FE4, being probably a result of Chopin's proofreading. Both source versions are equally justified with the voice leading:
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 39-41
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the main text we give a slur added by Chopin in the proofreading of FE3 (→FE4) as an undoubtedly later than the slur of GC and offering a better opportunity for an accurate recreation of Chopin's intention. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 45
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In FE1 there is no arpeggio sign at the beginning of the bar. It is certainly caused by the engraver's distraction. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 51
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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FE1 (→FE2) has an e as the bottom note of the 1st minim in the L.H. This patent error was corrected in FE3 (→FE4). The remaining sources also include the correct text. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE , Authentic corrections of EE |
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b. 56
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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FE1 (→FE2) has a b-e1 minim here. The mistake resulted from an erroneous assignment of these notes to the bottom stave, where the bass clef is in force – the mistake's mechanism is easy to understand, looking at the notation of GC (most probably very similar to the notation of [A]). The mistake was corrected in FE3 (→FE4) and EE, mostly likely as a result of Chopin's intervention. GC (→GE) includes the correct text. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE , Authentic corrections of EE |