



Pitch
b. 232-234
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Before the top note of the last octave in bar 232 and the 2nd one in bar 234, there are no accidentals in GC and the earlier FE. The necessary signs – category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC |
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b. 232
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In all sources, there is a repeated category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 234
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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We add cautionary naturals to f1-f2 in the main text. category imprint: Editorial revisions |
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b. 236
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The version of GC (→GE1) is certainly erroneous – the double stroke of the same note (a1) by the L.H., unjustified by the voice leading, does not make any sense, as far as the piano technique is concerned. It is worth observing that the copyist initially wrote a chord within the correct, one octave, span, yet with a double Terzverschreibung error – a-c1-e category imprint: Differences between sources issues: Terzverschreibung error , GE revisions , Errors of GC , Alterations in GC |
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b. 239
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The descending bass line in two previous bars suggests the use of a B category imprint: Editorial revisions issues: Constraint from piano range |