Issues : GE revisions
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b. 190-191
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Providing bar 191 with a separate slur can be an echo of the original slurring (cf., e.g., the slurs in bars 45-48). The notation of GC suggests that the slurs could have been combined by Chopin in [A], which was misunderstood in FE (→EE). category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Inaccuracies in GC |
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b. 193-200
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The dashes marking the range of crescendo were overlooked in GE1, yet added in GE2. In FE (→EE) the signs were probably also overlooked. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 198-204
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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category imprint: Differences between sources; Editorial revisions issues: GE revisions , No pedal release mark , Authentic corrections in GC |
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b. 199
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 205
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composition: Op. 35, Sonata in B♭ minor, Mvt I category imprint: Differences between sources issues: Errors in GE , GE revisions |
in 
asterisk). It is hard to decide what the reason for stopping the entries could have been, yet the most likely answer seems to be distraction. In any case, it certainly does not mean that one should stop using the pedal. In the main text we add indications on the basis of the authentic pedalling in similar bars 70-80. In 
before c3. It was already added in