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Issues : EE revisions
b. 161-164
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The accents in GC are of different length, which, considering the similarity of the motifs, is most probably an inaccuracy. In the main text we adopt long accents, which prevail in the notation. All the versions of the editions are most probably a result of an inaccuracy or revision. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions , Errors in FE , Inaccuracies in GE |
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b. 165-166
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the main text we include the two-bar category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions |
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b. 169
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The tie visible in GC before the chord means an arpeggio in this context. The version of GE, repeated then in EE2, is a result of a routine revision – the sign was moved to the side of the note head of the d1 grace note, which gave it a form of a tie sustaining the grace note (cf. the note on the part of the L.H.). No slur in FE (→EE1) is most probably an oversight. FE1 includes an erroneous c1 as the grace note, which was corrected in the next impressions. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , FE revisions |
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b. 169-172
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The pedalling in GC was added by Chopin. GE1 recreated it incompletely and inaccurately, which was completed – inaccurately – in GE2. The pedalling of GE1 was repeated and completed also in EE2. Cf. bars 179-180, 189-191 and 193-198. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Errors in GE , GE revisions , Authentic corrections in GC |
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b. 172
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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GC (→GE) and FE have a cautionary category imprint: Differences between sources issues: EE revisions , Cautionary accidentals |