



Pitch
b. 96
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composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In the main text we include the cautionary flats before d category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 107
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composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The sharp raising f to f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in GC |
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b. 110
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composition: Op. 35, Sonata in B♭ minor, Mvt I
..
GC and FE1 (→FE2→FE3) do not have the naturals raising G category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , FE revisions |
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b. 112-114
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composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In GC the second quaver in the R.H. is written too low in all of these bars, so it could be interpreted as an F or F category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: GE revisions , Errors of GC |
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b. 115
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
Similarly as in bar 107, in GC, FE1 (→FE2→FE3,EE1) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in GC |