Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 35, Sonata in B♭ minor, Mvt I
In GC and FE, which certainly reproduce the notation of [A], the naturals before the g and d notes are written only in the extreme voices – next to the bottom notes in the L.H. and top in the R.H. An exception are the D1-D octaves (both notes provided with naturals, although in FE1-FE3 only in bar 138) and the devoid of 
g3 note in bar 138. In GE and EE the notation is correct (except for the devoid of naturals D1-D quaver in bar 137 in EE1).
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Inaccuracies in FE, GE revisions, FE revisions, Inaccuracies in GC
notation: Pitch
