Page: 
Source: 
p. 5, b. 130-160
p. 1, b. 1-30
p. 2, b. 31-58
p. 3, b. 59-94
p. 4, b. 95-129
p. 5, b. 130-160
p. 6, b. 161-193
p. 7, b. 194-224
p. 8, b. 225-252
p. 9, b. 253-287
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Graphic ambiguousness
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Pitch
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 160

 on first beat in GC (→GE)

No sign in FE

 at the end of bar in EE

No  in FE is rather of an accidental nature, although the pedal can be sustained longer than it results from the notation of GC (→GE). It is confirmed by the  sign added in EE, which can come from Chopin (which does not mean that it was reproduced accurately – perhaps Chopin wrote it slightly earlier, e.g., on the 3rd beat of the bar).

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in FE, No pedal release mark

notation: Pedalling

Missing markers on sources: FE1, FE2, FES, FED, FESch, FE3, FE4, GE1, GE2, EE1, EE2