Page: 
Source: 
p. 1, b. 1-30
p. 1, b. 1-30
p. 2, b. 31-58
p. 3, b. 59-94
p. 4, b. 95-129
p. 5, b. 130-160
p. 6, b. 161-193
p. 7, b. 194-224
p. 8, b. 225-252
p. 9, b. 253-287
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 22-24

No signs in GC (→GE)

Arpeggio signs in bar 24 in FE

Arpeggio signs in EE

Although the arpeggios in the L.H. in bars 22 and 24 are written in the sources inaccurately, there is no doubt they are valid – the wavy lines in bars 2 and 4 are certainly to be considered to be an indication concerning all further repetitions of these chords. The signs added in EE in bar 22 could have come from Chopin, yet an editorial revision seems to be more likely here.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

notation: Ornaments

Missing markers on sources: FE1, FE2, FES, FED, FESch, FE3, FE4, GE1, GE2, EE1, EE2