Ornaments
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b. 12-14
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The arpeggio given in FE (→EE) could have been overlooked in GC (→GE) or added in [A] already after GC had been prepared. According to us, the sign has a nature of a general indication, valid in all analogous places (bars 32-34, 200-202, 220-222 and 255-256). category imprint: Interpretations within context; Differences between sources; Editorial revisions |
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b. 22-24
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Although the arpeggios in the L.H. in bars 22 and 24 are written in the sources inaccurately, there is no doubt they are valid – the wavy lines in bars 2 and 4 are certainly to be considered to be an indication concerning all further repetitions of these chords. The signs added in EE in bar 22 could have come from Chopin, yet an editorial revision seems to be more likely here. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 32-34
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Chopin did not mark here the arpeggios for the tenth chords of the L.H. In spite of this fact, on the basis of a few signs appearing in analogous bars, we suggest an alternative notation with marked arpeggios. category imprint: Interpretations within context |
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b. 200-202
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the majority of the sources the arpeggios of the tenth chords in the L.H. are not marked. In spite of this, on the basis of a few signs appearing in analogous bars, we suggest an alternative notation with marked arpeggios. In the case of bar 201 in FE it is almost certainly an oversight, as the bar was only marked in the base text to FE1 – [A] – as a repetition of bar 13, in which there is an arpeggio sign. In EE2 the arpeggio in bars 201-202 was most probably added on this ground. category imprint: Interpretations within context |
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b. 220-222
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Chopin did not mark here the arpeggios of the tenth chords in the L.H. In spite of this, on the basis of a few signs appearing in analogous bars, we suggest an alternative notation with marked arpeggios. category imprint: Interpretations within context |
