Page: 
Source: 
p. 3, b. 59-94
p. 1, b. 1-30
p. 2, b. 31-58
p. 3, b. 59-94
p. 4, b. 95-129
p. 5, b. 130-160
p. 6, b. 161-193
p. 7, b. 194-224
p. 8, b. 225-252
p. 9, b. 253-287
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 76-77

Pedalling in GC (→GE)

Pedalling in FE

Pedalling in EE

Pedalling suggested by the editors

The  sign, written in the sources before the E1-E octave, was most probably supposed to conern the aforementioned octave (Chopin would often write the pedal's press sign before a low placed note). The notation of FE could be interpreted in such a way, however, in the remaining sources the  sign is clearly placed under the chord on the 2nd beat of the bar and not before the last octave. In the main text we correct this highly likely misunderstanding).

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Editorial revisions

issues: Errors in FE, Errors of GC

notation: Pedalling

Missing markers on sources: FE1, FE2, FES, FED, FESch, FE3, FE4, GE1, GE2, EE1, EE2