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Issues : Authentic corrections of EE
b. 7-9
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Determining Chopin's intention concerning the slurring of bar 8 (together with adjacent chords) encounters difficulties. The composer's idea can be represented both in the source versions and in our suggestions, considering a possible oversight of the engraver of FE. It is the versions of GC (the main text) and two versions based on the reconstructed on the basis of the reprise slur of FE that we consider to be most reliable, as far as the sources are concerned, and pianistically natural. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in FE , Authentic corrections of EE |
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b. 21-25
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The articulation signs – dots and accents – in bar 21 could have been added in GC (→GE) by Chopin. They are probably to be considered to be valid also in the subsequent similar bars, namely 23 and 25-27. The idea was partially implemented in EE, in which the same indications were added in bars 21, 23 and 25, which can be ascribed to Chopin's intervention in the base text to this edition. See also bars 210-213. category imprint: Differences between sources issues: Authentic corrections in GC , Authentic corrections of EE |
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b. 40
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The version of EE can be authentic; it should have been then considered to be a Chopin improvement. A possibility of Chopin intervention in this place is, however, reduced by the fact of leaving the mistakes in the part of the L.H. without correction – no naturals raising g category imprint: Differences between sources issues: EE revisions , Authentic corrections of EE |
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b. 45-49
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text we include the cresc. - - indication, added most probably by Chopin in the base text to EE. Similarly in bars 233-237. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of EE |
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b. 46-49
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The differentiated source versions of the signs of a dynamic character – accents and category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in FE , Authentic corrections in GC , Authentic corrections of EE |