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Slurs

b. 198-199

composition: Op. 35, Sonata in B♭ minor, Mvt II

Slur in GC (→GE) & FE1 (→FE2FE3,EE)

No slur in FE4

..

Deleting the slur over the three-note motif, totally unjustified, as far as the music is concerned, is a possible result of misunderstanding at the proofreading of FE4, whose aim was addition of the tie of b2. See the adjacent note.

category imprint: Differences between sources

issues: Errors in FE

b. 208-209

composition: Op. 35, Sonata in B♭ minor, Mvt II

Slur up to bar 209 in GC & FE (→EE)

Slur in bars 205-208 in GE

..

The shorter slur of GE is, according to us, inaccurate, which can be partially attributed to the sweeping slur of GC.

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE , Inaccuracies in GC

b. 216

composition: Op. 35, Sonata in B♭ minor, Mvt II

Slur in GC (→GE) & EE2

No slur in FE (→EE1)

category imprint: Differences between sources

issues: EE revisions , Errors in FE

b. 216-217

composition: Op. 35, Sonata in B♭ minor, Mvt II

..

The slur over the pair of octaves is overlooked in FE1. The mistake was corrected already in FE2.

category imprint: Differences between sources

issues: Errors in FE , FE revisions

b. 222-224

composition: Op. 35, Sonata in B♭ minor, Mvt II

Slur in GC

No slur in FE! (→FE2)

Slur in GE & FE3 (→FE4)

Slur in EE

..

The slur added – most probably by Chopin – in the proofreading of FE3 (→FE4) clearly shows that according to the composer's intention, it was not supposed to reach the next bar. The longer slur of EE may be considered in this situation an inaccurate interpretation of the slur added in the base text by Chopin (cf. bars 36-37) or an editorial revision on the basis of the analogous place of the first section of Scherzo.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Authentic corrections of FE , Tenuto slurs