Issues : Errors in GE
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b. 259-260
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text we give a pedalling based on GC, in which we move the sign in bar 259, written by the copyist probably one quaver too early, to the 3rd beat of the bar, in accordance with the harmonic sense. According to us, the authenticity of the pedalling of EE cannot be excluded, which, as a result, can be considered to be equivalent. The oversight of the aforementioned in FE is a patent mistake, however, in the absence of sufficient premises, the place where it should be added cannot be indicated. Moreover, patent oversights of the engravers are the absence of the sign at the end of bar 260 in FE and the total absence of the pedalling in GE1, which, in GE2 was precisely corrected after GC. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Inaccuracies in GC |
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b. 266-273
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text, we give dim. indication already in bar 266, according to GC (→GE). Its later occurrence in FE (→EE) could have been due to the new line starting at bar 267. The lack of the later indications – rallentando and lento – is certainly a result of engraver's oversight. category imprint: Differences between sources issues: Inaccuracies in FE , Errors in GE , GE revisions |
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b. 271-272
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In GE1 the last of the slurs encompassing the three-note motifs was overlooked. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 275-276
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The hairpin was probably added in GC by Chopin. The missing sign in GE is certainly a mistake of the engraver who perhaps was not sure where to put the sign. category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , Authentic corrections in GC |
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