Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Shorthand & other
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Shorthand & other

b. 170

composition: Op. 35, Sonata in B♭ minor, Mvt II

..

In GC the part of the L.H. is in this bar marked in an abbreviated manner as repetition of the figure in the previous bar.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 189-193

composition: Op. 35, Sonata in B♭ minor, Mvt II

..

In GC the majority of the recapitulation (bars 190-257) is written in an abbreviated manner as empty, numerated bars (the numbers correspond with the numbers of bars 2-69 of the first section of Scherzo). In bar 189 the notes are written, yet without any performance indications (except for tempo primo), which was probably supposed to be only an additional indication, from which bar one is to begin repeating the full notation. In spite of this, GE printed in this bar only this version, devoid of articulation signs (cf. the note on them).

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 194-224

composition: Op. 35, Sonata in B♭ minor, Mvt II

..

In GC the bars are not written out – see the note in bar 189

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 225-252

composition: Op. 35, Sonata in B♭ minor, Mvt II

..

In GC the bars are not written out – see the note in bar 189

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 253-257

composition: Op. 35, Sonata in B♭ minor, Mvt II

..

In GC the bars are not written out – see the note in bar 189.

category imprint: Source & stylistic information

issues: Abbreviated notation of A