Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 35, Sonata in B♭ minor, Mvt II
In GC and FE (→EE1) the 
before the top most note is already before the 1st chord. It is hard to say how the mistake, which had to be already in [A], occurred (corrections?). In addition, in the proofreading of FE4, this obviously erroneous version was confirmed, by adding in this chord a 
before c
1. It is either a mistake of the engraver or a missed revision. In GE the was moved before the second chord, in accordance with the musical sense and the version of analogous bar 142; similarly in EE2, in which, however, flats before the extreme notes of the 1st chord were added.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources; Corrections & alterations
issues: EE revisions, Errors in FE, Errors in EE, GE revisions, FE revisions, Errors of GC
notation: Pitch