Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 35, Sonata in B♭ minor, Mvt II
FE (except for FE4) lacks in five necessary accidentals – naturals before d2 and b and sharps before f
, f2 and g2. This patent inaccuracy certainly has its source in the notation of [A]. Similarly in GC, in which, however, Chopin added a 
raising b
to b. In GC (→GE) there are also no naturals before the last octave in the R.H. – it can be an oversight of the copyist or a later addition in [A]. In the remaining sources the signs were completed (all additions can be attributed to a revision): three were added in EE1 and FE4, four in GE; only EE2 includes the correct notation. Cf. bar 24.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Accidentals in different octaves, Inaccuracies in GE, Inaccuracies in FE, GE revisions, Omission of current key accidentals, FE revisions, Inaccuracies in GC, Authentic corrections in GC
notation: Pitch
