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Issues : Scope of dynamic hairpins
b. 7-8
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The notation of GC, representing the abbreviated notation of [A], indicates, according to us, two category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Scope of dynamic hairpins , GE revisions |
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b. 16
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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It is not clear which of the sources based directly on [A] – GC and FE1 – conveyed the range more accurately and, as a consequence, also the sense of the
In the main text we give the The accent in GE1 is undoubtedly a result of misunderstanding of the notation of GC, which was corrected in GE2mar (→GE2). Similarly in bars 24, 70 and 78. category imprint: Interpretations within context; Differences between sources issues: Long accents , Inaccuracies in GE , Scope of dynamic hairpins , GE revisions |
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b. 24
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The category imprint: Interpretations within context; Differences between sources issues: Scope of dynamic hairpins , Errors in GE , GE revisions |
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b. 45-46
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The present in these bars pair of category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins , GE revisions |
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b. 70
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The category imprint: Interpretations within context; Differences between sources issues: Scope of dynamic hairpins , Errors in GE , GE revisions |