Shorthand & other
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b. 1-22
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In GC bars 1-14 are provided with subsequent numbers, used then for an abbreviated indication of bars 55-68. Similarly bars 15-22 are marked with a-h letters, used then for an abbreviated notation of bars 23-30, 69-76 and 77-83. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 1-22
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Amar, the autograph of a fragment of the middle section of Marche, includes only bars 31-38, therefore, it is included in the notes only in these bars. category imprint: Source & stylistic information issues: Incomplete sources |
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b. 2-5
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In GC bar 2 (the entire bar except for the slur) and bar 5 (part of the L.H.) are written in an abbreviated manner with a •/• sign. The notation is certainly repeated after [A]. Similar abbreviations appear also in bar 8 and 12-13. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 8
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Same as bars 2, 5 and 12-13, in GC bar 8 is written in an abbreviated manner with •/• signs (one on each stave). The interpretation of this notation, undoubtedly repeated after [A], turned out to be not entirely clear – see bars 7-8. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 12-13
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Same as in bars 2, 5 and 8, in GC the repeating fragments of these bars – parts of both hands in bar 12 and part of the L.H. in bar 13 – are marked in an abbreviated manner with •/• signs. The interpretation of this notation, certainly repeated after [A], is not entirely clear – see bars 11-13. category imprint: Source & stylistic information issues: Abbreviated notation of A |