Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 35, Sonata in B♭ minor, Mvt III
Same as in bars 2, 5 and 8, in GC the repeating fragments of these bars – parts of both hands in bar 12 and part of the L.H. in bar 13 – are marked in an abbreviated manner with •/• signs. The interpretation of this notation, certainly repeated after [A], is not entirely clear – see bars 11-13.
Compare the passage in the sources »
category imprint: Source & stylistic information
issues: Abbreviated notation of A
notation: Shorthand & other
