Issues : GE revisions
b. 46
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The absence of the returning a is undoubtedly an oversight of Chopin in [A] (→GC,FE1→FE2→FE3→FE4). In the remaining editions the sign was completed, it was also added in FES. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors of A , FE revisions , Errors of GC |
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b. 54
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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No pedal in the 1st half of the bar must be considered to be Chopin's oversight – in the entire middle section of Marche, the harmonic pedalling is meticulously marked. A similar conclusion was reached by the revisers of FE5 and GE2mar (→GE2). category imprint: Differences between sources; Editorial revisions issues: GE revisions , FE revisions |
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b. 57
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composition: Op. 35, Sonata in B♭ minor, Mvt III category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions |
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b. 65-68
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Due to the abbreviations used in the manuscripts (in bars 12-13) in the notation of bars 66 and 67, it is not clear in how many bars Chopin wanted to mark the pedalling. The possibilities of interpretation of the notation of [A], conveyed most probably by GC, were discussed in the first section of Marche – see bars 11-13. As far as the editions are concerned, only GE2mar and GE2 repeated the version from bars 11-14 here (different ones). FE (→EE) includes pedaling in up to four bars, which is certainly a mistake (cf. bar 68), while GE1 presents one of possible interpretations of GC. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors in GE , GE revisions |
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b. 68
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Same as in bar 14, the authenticity of the dotted rhythm in GE is questionable. category imprint: Differences between sources issues: GE revisions , Dotted or even rhythm |