Issues : Errors in FE
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b. 40
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In GC and FE1 (→FE2→FE3→FE5) there is no category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Annotations in FES , FE revisions , Last key signature sign , Errors of GC |
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b. 43
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The change of pedal in the middle of the bar is, according to us, a mistake of the engraver of FE (→EE), who confirmed the pedalling of the previous bar. All similar bars – bars 31, 33, 39 and 41 – include a compatible, whole-bar pedalling in the sources. category imprint: Differences between sources issues: Errors in FE |
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b. 45
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The version of FE1 (→FE2) is certainly a result of the mistake of the engraver, who repeated the crotchets from the previous bar. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 46
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The absence of the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors of A , FE revisions , Errors of GC |
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b. 52
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Each of the source versions could have been intended by Chopin, yet only the version with an ornament is undoubtedly authentic, whereas its notation with the use of grace notes is certainly later. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Authentic corrections of FE , Authentic corrections of EE |
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