mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt III

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Fingering

b. 31-34

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FESch

No teaching fingering
..

The fingering in the L.H. in bars 31 and 34, which may come from Chopin, was written in FESch. Similarly in bars 33, 35-36, 39-40, 43 and 46. Cf. the Nocturne in C minor, Op. 27 No. 1, bars 13-14.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FESch

b. 31

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FES

No teaching fingering
..

The characteristic Chopin fingering comes from FES.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 33

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FESch

No teaching fingering
..

Same as in bar 31, the fingering in the L.H., which may come from Chopin, was written in FESch.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FESch

b. 35

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FESch

No teaching fingering
..

Same as in bar 31, the fingering of the L.H., which may come from Chopin, was written in FESch.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FESch

b. 36

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FESch

No teaching fingering
..

Same as in bar 31, the fingering in the L.H., which may come from Chopin, was written in FESch.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FESch