FE1
Main text
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
compare
  b. 44

Dashes in GC (→GE)

No dashes in FE (→EE)

Our variant suggestion

The difference between GC and FE causes that it is hard to state what range of crescendo Chopin marked in [A]. According to us, both an inaccuracy of the engraver and the copyist is possible – bars 44 and 45 are visually very similar, in both sources the dashes were led to the end of the line of the text, perhaps following the layout of the text on the page. The stylistic criteria also do not clearly indicate one of the versions:

  • the target point of the crescendo can be the appoggiatura in bar 44 – the following after it appoggiatura in bar 45 is placed lower;
  • however, one can also imagine the crescendo until the  sign in bar 45, in which the ascending progression of the bass ends.

Due to these reasons, in the main text we suggest a variant solution.

Compare the passage in the sources »

category imprint: Differences between sources

notation: Verbal indications

Go to the music

.

Original in: Bibliothèque Nationale de France, Paris